Hank Williams III
I have seen the face of the Apocalypse. I have stood in the eye of the storm. I have been to the edge of the abyss, and peered over into the musical chaos of Son, of the Son of the man. You don't have to wait for the show to start to Know that you are in an all-together different place musically than you have ever been before. The crowd is a bizarre mixture of everyone from the most dyed in the wool rednecks to the heaviest leather clad metalheads. Every rank of hard core punk and every stripe of Country connoisseur is there. They are the faithful, and they are impatiently waiting for the dam to brake. When the lights at last go down and Hank Williams III takes the stage along with the "Damn Band," one might be tempted to believe in time travel. You are instantly transported from Pop Country Land to Honky-tonk Heaven. All poseurs, lightweights and Kenny Chesney fans are covertly led to the parking lot, where they are bludgeoned with the steering wheel of a 59 Cadillac, the storm has begun. III hurls several profanity-laden insults at his record label (Curb Records) and with a mighty down stroke of his pick'n hand, opens up a six-pack of wupass. The show is actually three distinct sets. The first is pure honky-tonk. A beer soaked journey to a smoke filled place where the ghosts of outlaws hang out. Waylon is in the room somewhere, having a PBR with Frank and Jesse James. Hank Sr. is here too, sitting in a corner with his cronies, smoking cigarettes, drinking whisky and smiling approvingly as he taps a toe. This goes on for an hour and by the end you are a country music fan, That's right Joe Slayer Fan, you now love Country music. Without a brake Hank storms into set number two. Set two is what Hank calls Hellbilly, its Rockabilly, really pissed off Rockabilly. It's the bridge across the River Styx. It will take you from the honky-tonk to a dark place, a very dark place. Hank and company spend the next twenty minutes kicking the living hell out of they're instruments. Imagine it as a cross between Carl Perkins and Ted Nugent. Hank and crew tear through the Hellbilly set like a pack of rabid dogs, and the walls that separate genres are destroyed. When it's over, two of the strings on III's acoustic weapon are hanging limp, beaten into submission by that darn pick'n hand. You are now given ten minutes to get some air and decide whether or not you will cross the bridge. You are warned about the gathering gloom, and those departing are thanked by III for they're time. It's time to go get a drink pal, you're going to need it. When the intermission is over you return to the room to find the atmosphere has taken a turn. It's like that uneasy feeling just before the first punch of a fight is thrown. You know something harsh is about to happen. With no introduction Hank's band Assjack takes the stage, and mayhem ensues. You have crossed the bridge, welcome to Hell. Hank has loosed his hair from under his cowboy hat and it is now being whipped about in a frenzy as that danged old pick'n hand now goes to work on a black Les Paul with a big glow in the dark Misfits Fiend sticker on it. A pit rapidly forms and punks, rednecks, metalheads and one reformed Chesney fan who escaped the bludgeoning become one. The next hour is an all out assault on your body, soul and mind. It's hard, very hard. It's so had that you feel every note as much as hear it. In point of fact Hank may not be the Angel of Death, but he most certainly is a distant cousin. When the storm ends you can hardly hear. Your head is ringing, your balls ache, and you're a rock fan. That's right Billy Bob, you now loves Rock & Roll. I was there I saw it all go down. I survived the storm, and as I stepped back from the edge of the abyss I caught the vision that will stay with me the longest. Hank and the boys were crouched on the edge of the stage shaking hands, bumping fists and handing out shirts. A sweat soaked fan handed III his full beer, Hank saluted the man by holding it high against the darkness. As he did, the backlights of the stage caught him in perfect silhouette. He downed it in three seconds flat.
-Rock
